Movie Review: Thor Ragnarok (8.5 / 10)

timthumb.jpeg

In the third and best installment of the “Thor” franchise, “Ragnarok” gives us solid 2-hour popcorn entertainment while further expanding the lore of “Thor” and the greater Marvel Cinematic Universe. Compared to the rest of the MCU’s filmography, this is a fairly light hearted film that focuses more on character development and witty, funny dialogue, and (once again) less on the villain and the dark tone that some might have been looking forward to seeing.

Lets get the minor criticisms out of the way first since they are few and far in between.  Similar to every single MCU film up until now with the exception of “Spiderman: Homecoming”, “Ragnarok” did a decent job utilizing the always-amazing Cate Blanchett playing Hela, the Goddess of Death, but it still wasn’t quite enough; with someone of Blanchett’s caliber, the filmmakers could have given her more screen time and further develop the tone of the Thor universe, for this film and subsequent film.

Secondly, as a result of the filmmakers’ desire to create a film packed with witty jokes, some delivered by director Taika Waititi himself as the hilarious Korg, the film does sometimes suffer from jarring shifts in tone;  one scene we’d have Hela talking about revenge upon her father, taking over Asgard and conquering beyond the Nine Realms; the next scene we’d have Thor trying to consult a whining Hulk, who acts like a 5 year-old when in Hulk form.

Despite these minor criticisms, the film soars with charismatic and performances from Chris Hemsworth, who is so good as Thor, and Tessa Thompson, who commands the screen every time appears, as Valkyrie.  Hemsworth’s chemistry with Tom Hiddleston’s Loki reaches new highs, and it is in this particular relationship that provides viewers with the biggest link to “The Avengers: Infinity War”.

Finally, the addition of Bruce Banner / Hulk was perfect for the Thor universe.  Mark Ruffalo was great as Banner and Hulk provides awesome action scenes were great.

“Thor Ragnarok” doesn’t quite crack my list of top 5 favorite MCU films, but does have a really good shot at making the top 10.

Advertisements

Duo Review + Rant: Atomic Blonde, King Arthur, and Rotten Tomatoes Scores

atomic-blonde-t-poster-gallery.jpgking-arthur-charlie-hunnam-poster.jpg

I missed Guy Richie’s latest action flick “King Arthur: Legend of the Sword” when it came out in theaters.  Having finally watched it last night and thoroughly enjoying it, it brought to light this idea of movie critics grading on a curve as being shown on the film score aggregate Rotten Tomatoes.  That another action flick, “Atomic Blonde”, attained a surprising 75% rating while “King Arthur” managed a measly 28% shows that critics not only judge the film by itself, but also by trends in genre, and the filmography of the director.

I am not claiming “King Arthur” is a masterpiece, or even a much superior film to “Atomic Blonde”, but reading the tidbits from RT shows that those who reviewed “King Arthur” factored in the fact that there have been numerous films made about the medieval character in years past, and that Guy Ritchie, known for his manic pacing and stylish shots and editing, and crisp British dialogue, did not bring much to the (round) table.

If you look at (period) action films in the past ten to fifteen years, “300” stood out as a film loaded with stylized action and which many filmmakers tried to emulate since but failed.  Snyder took a comic book interpretation of history and made it his own, loaded with magical elements that clearly were not historically accurate but nevertheless fun.

Ritchie’s “King Arthur” is a slice of the same pie: it does not pretend to be historically accurate nor does it take itself seriously, what with a plot containing mystical mages and a character turning into essentially the Grim Reaper, but above all, the film was fun.  With a solid performance by Charlie Hunnam and good chemistry among the supporting cast, including a Jude Law who was clearly basking in fun playing Vortigen, without comparing it to previous iterations of King Arthur movies, “Legend of the Sword” is good popcorn entertainment.  The film probably would have received much better reviews if it came out a few years earlier, when this type of stylized action was all the rave.

In contrast, the action genre rave now lies with the hard-hitting, gritty martial arts action films such ala. the John Wick franchise, and “Atomic Blonde”, helmed by one of the co-directors of Wick, David Leitch, rode the popularity of the genre and made a film that contained John Wick-esque action scenes but an incredibly messy and unsatisfying plot.  The success of the film lied with Charlize Theron, who satisfied audiences by playing a dangerous assassin kicking some serious ass and looking super hot while doing it.

The upshot of my rant is this: When deciding whether you want to see a film, take not only the RT score but many sources into consideration, such the trailers.  And don’t be dissuaded from watching a film just because of the change in trends.  Against “consensus”, I will admit unashamedly that I enjoyed “Legend of the Sword” more than “Atomic Blonde”.

“King Arthur: Legend of the Sword” – 6.9 / 10

“Atomic Blonde” – 6.5 / 10

Series Review: True Detective Season 1

True_Detective_Season_1_poster.jpg

Richly-developed, eerily-haunting, and at times edge-of-your-seat gripping, the first season of “True Detective” was definitely a breath of fresh air, a near genre-breaking achievement in cinematic television with terrific performances and a slow-burning plot that contains a handful of effective plot twists.

From the opening sequence, paired to perfection with the Handsome Family’s “Far from Any Road”, we knew that the series would be dark with very little humor.  But the show never crossed the line from darkness into dullness, as the main characters, played by Matthew McConaughey and Woody Harrelson, carried the darkness of the show with an enigmatic charisma that was always intriguing.

Cary Fukunaga directed the entire first season and did not return for the second (although Nic Pizzolatto did write both seasons) and it showed.  Season 1 was a showcase of excellent direction and cinematography.

The biggest regret I had with regards to watching this series was how much time it took me to finish it.  Not that the series was bad, just that I never got around to it.  The eight episodes probably took me about 6 months to finish.  I’m glad I did, though.  I’m sure if I had binged watched it, or at least watched it over a span of 3-4 weeks, that I might have enjoyed the show even more, particularly for its tone and atmosphere.  As it stands, “True Detective” Season 1 sits as one of my top 5 favorite television shows.

Movie Review: Wonder Woman (9 / 10)

 

18252817_301921380245631_8486619351263215616_n.jpg

One of the best comic book movies in recent years, as well as one of the best film of 2017 so far, “Wonder Woman” is a much-needed home run for the DC cinematic universe, after the critically-polarizing “Man of Steel” and “Batman v Superman.”

The plot is nothing ground-breaking; it’s an origin story of a superhero who overcomes adversity, adapts to the new world she encounters, and overcomes her first adversaries.  But the execution of the story was near perfection, and, most note-worthy of all, was the female-driven elements throughout the film.

Directed by Patty Jenkins and starring Gal Gadot, “Wonder Woman” elevates the female superhero, and female roles in films, to new heights..  Gadot portrays Princess Diana as an enigmatic and confused heroine as she struggled to comprehend the complexities of modern warfare during World War I.  Some of the best scenes of the film were those of when Steve Trevor (played by Chris Pine) explains the Great War to Diana.

The action sequences, many of which utilize the ultra-slo-mo methods made famous by “300”, takes the technique and improves upon it, making some of the most entertaining comic book fight scenes I’ve seen.  Note to “Man of Steel”: do you know make “having superheroes and villains throw and punch each other, and throwing large objects around while things explode” interesting? Watch “Wonder Woman.”

The film isn’t perfect: there are some plot elements that could have been explored further, as well as a villain that was fairly undeveloped.  But overall, “Wonder Woman” is an excellent film, and a must-watch for all comic book movie fans, as well as fans of entertaining films.

My City Is Dying [Series]

Episode #1: Worked To Death

The video below has inspired me. The entire thing is in Cantonese so I will provide translation and commentary at the same time. Although the video specifically refers to those working in the accounting industry for the “big 4” firms in Hong Kong, it speaks to a larger culture of work habits that is ruining office work in the city. This marks the beginning of a series of posts on what I see as the decay of a city I once loved.

The piece begins with ex-“Big 4” accountants talking about how working overtime without* extra pay as considered the norm. Bosses would say to his subordinates “when I was in your position, I worked OT and I didn’t get anything, so why should you?”

It then moves to a soliloquy by an anonymous accountant who reflects upon why he is working to 4 in the morning on a regular basis. The important thing to take away from this is that there is no sympathy on part of the superiors, who think that this kind of life-ruining work style is a fact of life that they just have to deal with. The anonymous accountant goes on to counter the notion that their hardships are compensated by salary with the deterioration of his health and relationships with his families and friends.

The next ridiculous phenomenon that the video talks about is that office people stick around in the office to “OT” even if they don’t have work to do. To paraphrase, “to leave early means that either that person is lazy or isn’t competent enough for more work, therefore everyone just sits in the office, waiting for the boss to leave.”

It doesn’t stop there. It is here that I’d like to remind readers once again that working ethos like this is not limited to just the Big 4 accounting firms in Hong Kong; similar things occur in banks, ad, and property management firms. The video then goes through the lives of some who have since left behind their grueling Big 4 days, and talks about how during busy times, they’d inhale lunches and dinners to save time, eventually leading to stomach issues that cause them to take sick days.

Quoting part of a larger sentence, “if we want to leave early, say, 9PM…”

The ex-accountant then talks about the culture of OT as a given thing, that if a worker leaves on time, that means that he is not given enough work, therefore piling on more work. He also talks about how he used to work until 5am, go home, take a shower, sleep for an hour or two, then hop on a taxi and back to work at 9am. He aptly points out that their big-4 counterparts in the West achieve similar business without its workers working the same number of hours. As the video cuts to a montage of him leaving just after 6 and having dinner with his family, his mom talks about how she worried for not just his physical but mental health as well, that she wanted him to get out of this ‘hell’ of a work place.

The next segment of the video interviews another man who used to work in Big 4 firms, during which 70-80 hour work weeks were commonplace. He currently is working with other accounting firms to address the issue of overworking. This is intercut with the previous interviewee, who now has more time on his hands (in his Big 4 days he’s had to work weekends) to do the things he likes or finds meaningful, such as caring for rescued dogs.

The video ends with some chilling statistics: Hong Kong workers top the world in work hours; concurrently, a university study has found that 83% of those interviewed finds life in Hong Kong difficult.

I have never worked in a Big 4 firm and I have never worked 70 hours in a week (there are 168 hours in a week, IF you count Saturday and Sunday, that’s almost half of your entire week). But I have interned at an ad firm that required me to stay at the office until 2am for a couple nights. This happens, a lot, in Hong Kong. And the people, many of whom lack either the courage or the knowledge to speak up about the wrongness that has been bestowed upon them, suck it up day in and day out, eventually leading to irreparable health and social issues.
Se
As a lead in to a future post: this type of work culture is not limited to the office work place in Hong Kong; it came from somewhere. The same type of people who run the accounting firms are the same ones who run the local education system. These are the people who believe more work for children means they become better test-scorers, which means better students. More on that later.

On top of shaky politics, mainland influence, a dying Disney (and the larger tourism appeal), a (largely) oblivious expat community, and a ruthless property-developing oligarch, the latter two of which make up the top >1% of the city’s population, the city to which I call home for two-thirds of my life is dying before my very eyes.

Reference:
Feature piece by rthk31. Thanks a million, for you guys made a piece that has finally pushed me over the edge and start a series to talk about this from my perspective.

Movie Review: The Nice Guys

The_Nice_Guys_poster.png

A film carried by the charismatic performances of its two leads, by Ryan Gosling and Russell Crowe, “The Nice Guys” boasted a strong first third and a solid third act, with a middling middle section that could have been at least 5 – 10 mins shorter.

The screen lit up when Gosling and Crowe are in it, but at the same time, it became a bit dull when they are not. It’s a very entertaining film overall.

7.8 / 10

Movie Review: The Secret Life of Pets (7.9/10)

pts_adv1sht5_rgb_0125_7sm2.jpg

A thoroughly enjoyable film from start to finish, “The Secret Life of Pets” boasts an interesting premise, exploring a question many of us asked as children, which was “what do our pets do when we’re not home?”  While interesting, I did wonder if the premise can sustain a feature length film.  The filmmakers succeeded in doing so by adding an adventure element for the two main characters,   Max and Duke, as they dash and tumble through New York City being chased by an array of sort-of villains including stray cats, anti-human animals, and animal control.

The film had plenty of laughs, and some of the visuals not necessarily the action animation, but the still frames, namely of the city skyline, were stunning.  I just might find a poster of it and make it my wallpaper.

The voice cast was very solid, with the main characters voiced by Louis C.K., Eric Stonestreet, Jenny Slate, and a stand-out performance by Kevin Hart, who voices one of the support characters.

The film doesn’t have quite the social relevance / commentary displayed by  “Zootopia” or “Inside Out”, but I think adults could still enjoy watching this film.  One thing that did catch my attention as the film’s soundtrack and score, composed y the prolific Alexandre Desplat, which elevated the film up a notch with dashes of liveliness.

A brief mention should  be given to the opening Minions short film.  Perhaps the makers of this short discovered what was wrong with the feature-length “Minions” film and rediscovered what worked for the minions in the “Despicable Me” films, but this was pretty much what I would’ve wanted the feature-length film to be.  I know it’s hard to turn this goofy and hilarious short into something that’s 90 minutes long, but I think it’s doable.

For those living in the U.S. / Canada, I haven’t see “Finding Dory” yet as it is not out here in Hong Kong, but I would still definitely recommend it!